All Caravaggio 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
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Choice ID Image  Painting (From A to Z)       Details 
30269 Martyrdom of St.Matthew  Martyrdom of St.Matthew   nn05 1599-160 The theatre of cruelty
94794 Mary Magdalen in Ecstasy  Mary Magdalen in Ecstasy   Artist Caravaggio Year 1606 cyf
321 Medusa  Medusa   1590 Galleria degli Uffizi, Florence
28853 Medusa  Medusa   mk65 Oil on canvas applied to a poplar-wood shield 23 5/8x21 11/16in Uffizi,Gallery
30333 Medusa  Medusa   mk68 1598-1599 Baroque
5743 Medusa gg  Medusa gg   1598-99 Oil on canvas mounted on wood, 60 x 55 cm Galleria degli Uffizi, Florence
314 Narcissus  Narcissus   1598-99 Galleria Nazionale de Arte Antica, Rome
56038 narcissus  narcissus   c.1595,oil on canvas,43.25x36.25 in ,110x92 cm,palazzo barberini,rome,ltaly
5806 Nativity with St Francis and St Lawrence fdg  Nativity with St Francis and St Lawrence fdg   1609 Oil on canvas, 268 x 197 cm Formerly San Lorenzo, Palermo (lost)
94802 Nativity with St. Francis and St Lawrence  Nativity with St. Francis and St Lawrence   1609 Type Oil on canvas Dimensions 268 cm x 197 cm (106 in x 78 in) cyf
80300 Neptune and Pluto  Neptune and Pluto   between 1597(1597) and 1600(1600) Medium Ceiling painting in oil cyf
56043 poem scroll with deer  poem scroll with deer   mk247 1603,ink and gold on paper(detail),13x363 in,34x939 cm,seattle art museum,seattle ,wa,usa
58430 Portable head David Goliath  Portable head David Goliath   mk261 canvas 125.5 x 101 cm Museum Verghese
5740 Portrait of a Courtesan fg  Portrait of a Courtesan fg   c. 1598 Oil on canvas, 66 x 53 cm Formerly Kaiser-Friedrich-Museum, Berlin
29003 Portrait of a Knight of Malta  Portrait of a Knight of Malta   mk65 Oil on canvas 46 5/8x76 9/16in Pitti,Royal Apartments
5797 Portrait of Alof de Wignacourt v  Portrait of Alof de Wignacourt v   1607-08 Oil on canvas, 195 x 134 cm Mus??e du Louvre, Paris
5798 Portrait of Alof de Wignacourt fg  Portrait of Alof de Wignacourt fg   1608 Oil on canvas, 118,5 x 95,5 cm Galleria Palatina (Palazzo Pitti), Florence
87344 Portrait of Antonio Martelli.  Portrait of Antonio Martelli.   Date 1608.(1608.) Medium Oil on canvas. Dimensions 118.5 x 95.5 cm (46.7 x 37.6 in). cjr
5745 Portrait of Maffeo Barberini kk  Portrait of Maffeo Barberini kk   1599 Oil on canvas, 124 x 99 cm Private collection, Florence
78013 Portrait of Pope Urban VIII.  Portrait of Pope Urban VIII.   1599(1599) Oil on canvas cjr
319 Rest During the Flight into Egypt  Rest During the Flight into Egypt   1595-96 Galleria Doria Pamphili
5734 Rest on Flight to Egypt (detail) fg  Rest on Flight to Egypt (detail) fg   1596-97 Oil on canvas, width of detail: 48 cm Galleria Doria-Pamphili, Rome
5733 Rest on Flight to Egypt (detail) fgf  Rest on Flight to Egypt (detail) fgf   1596-97 Oil on canvas, width of detail: 48 cm Galleria Doria-Pamphili, Rome
5732 Rest on Flight to Egypt ff  Rest on Flight to Egypt ff   1596-97 Oil on canvas, 133,5 x 166,5 cm Galleria Doria-Pamphili, Rome
95756 Rest on the Flight into Egypt  Rest on the Flight into Egypt   circa 1597(1597) Medium oil on canvas cyf
30531 Saint Catherine  Saint Catherine   mk68 Oil on canvas 5'8"x4'4 1/4" Madrid,Thyssen-Bornemiszxa Museum 1595-1596 Italy
74850 Saint Jerome Writing  Saint Jerome Writing   1605-1606 Oil on canvas 112 X 157 cm (44.09 X 61.81 in) cjr
76314 Saint Jerome Writing  Saint Jerome Writing   Date 1605-1606 Medium Oil on canvas Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in) cyf
86181 Saint John the Baptist  Saint John the Baptist   1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
86454 Saint John the Baptist  Saint John the Baptist   1602(1602). Medium Oil on canvas. Dimensions 129 x 94 cm (50.8 x 37 in). cyf
96761 Saint John the Baptist  Saint John the Baptist   circa 1602(1602). Medium oil on canvas. Dimensions 132 X 97 cm cyf
94792 Saint Matthew and the Angel  Saint Matthew and the Angel   1602 Type Oil on canvas Dimensions 295 cm x 195 cm (116 in x 77 in) cyf
43081 Salome Receives the Head of Saint John the Baptist  Salome Receives the Head of Saint John the Baptist   mk170 1607-1610 Oil and egg on canvas 91.5x106.7cm
94797 Salome with the Head of John the Baptist  Salome with the Head of John the Baptist   . 1607 Type Oil on canvas Dimensions 91.5 cm x 106.7 cm cyf
5792 Salome with the Head of St John the Baptist fg  Salome with the Head of St John the Baptist fg   c. 1607 Oil on canvas, 90,5 x 167 cm National Gallery, London
5807 Salome with the Head of the Baptist fg  Salome with the Head of the Baptist fg   c. 1609 Oil on canvas, 116 x 140 cm Palazzo Real, Madrid
56855 San Marco called  San Marco called   mk250 Rome, Italy, the Church of St. Lugar Kangtaleili Chapel, in the year 1597-1601. Cloth on canvas, 338 x 348 cm around.
26764 Self-Portrait as Bacchus  Self-Portrait as Bacchus   mk52 Oil on canvas 66x52cm Galleria Borghese,Rome
5713 Sick Bacchus g  Sick Bacchus g   c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome
29002 Sleeping Cupid  Sleeping Cupid   mk65 Oil on canvas 28 3/8x41 5/16in Pitti, Palatine Gallery
5800 Sleeping Cupid gg  Sleeping Cupid gg   1608 Oil on canvas, 71 x 105 cm Galleria Palatina (Palazzo Pitti), Florence
62387 St Catherine of Alexandria  St Catherine of Alexandria   173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.
5736 St Catherine of Alexandria fdf  St Catherine of Alexandria fdf   c. 1598 Oil on canvas, 173 x 133 cm Thyssen-Bornemisza Collection, Madrid
62376 St Francis c. 1606 Oil on canvas  St Francis c. 1606 Oil on canvas   125 x 93 cm Galleria Nazionale d'Arte Antica, Rome The founder of the Franciscan Order was the first person to experience the miracle of stigmatization of his own body. In other words, he was marked out by Christ's wounds. Here he is reduced to the ideal state of penance in the wilderness - a state equally valid for saints and pious people. Caravaggio shows no sign of reinterpreting the story unconventionally. His rather traditional approach may derive from the fact that the composition is probably a commission from the papal family. They owned the township known as Carpineto, from where an almost identical second version, stored at present in the Palazzo Venezia, Rome, originated. Stylistically, the painting is very closely related to the Brera Supper in Emmaus, which was probably painted in Latium
5784 St Francis dfgd  St Francis dfgd   c. 1606 Oil on canvas, 125 x 93 cm Galleria Nazionale d'Arte Antica, Rome
5785 St Francis g  St Francis g   c. 1606 Oil on canvas, 130 x 190 cm Pinacoteca, Cremona
43836 St Jerome  St Jerome   c. 1606 Oil on canvas, 112 x 157 cm
62377 St Jerome 1607 Oil on canvas  St Jerome 1607 Oil on canvas   117 x 157 cm St John Museum, La Valletta This picture of the holy scholar was made for Ippolito Malaspina, a Maltese knight whose coat of arms is on the wooden panel to the right. He was connected by marriage to Caravaggio's patron Ottavio Costa and was a confidant of the Grand Master, who may have been used as the model for the saint (similarly Van Dyck was to use the sister of the Queen of England as model for the Madonna). The saint does indeed look like the knight in a recently discovered portrait by Caravaggio, who has been identified by some as Wignacourt himself. The composition is planned in terms of triangles. One rises from the table to the saint's head, another has its apex at the cardinal's hat on the wall to the left, a third recedes to the bedstead at the back on the right. This simple design helps convey an idea of simplicity. St Jerome has no halo, his workbench is rudimentary, he does not own any folios, he has one candle to see by, a crucifix to meditate on, a stone to beat against his chest, and a skull to remind him of his mortality. He is partly naked because he lives an eremitical life in the desert of Judaea. A steady light shines on his torso and picks out the red cloak round his legs. The source of the light is outside the picture, and can be interpreted as Christ, Light of the World
5796 St Jerome dsf  St Jerome dsf   1607 Oil on canvas, 117 x 157 cm St John Museum, La Valletta
62375 St John the Baptist  St John the Baptist   94 x 131 cm Galleria Nazionale d'Arte Antica, Rome In around 1605 Caravaggio dealt with St. John the Baptist in two splendid compositions, one in the Kansas City Gallery, the other in the Galleria Nazionale di Arte Antica in Rome. The former is laid out vertically, the latter horizontally. Both lend themselves to a modernistic reading aimed at pointing out a certain air between contempt and arrogance. In effect what we are dealing with here are splendid exercises in modeling the body through the play of light and shadow. In the version now in Kansas City, the figure is set before a dense curtain of plants; in that in Rome, there is only the trunk of a cypress tree, on the left. Both are admirable feats of painting, and it is understandable that collectors competed with each other for the artist's works. Caravaggio in turn knew how to make apparently uninteresting religious themes into paintings desirable even for his aristocratic patrons.
5814 St John the Baptist at the Well ty  St John the Baptist at the Well ty   1607-08 Oil on canvas, 73 x 100 cm Collezione Bonello, Malta
5809 St John the Baptist fdg  St John the Baptist fdg   1610 Oil on canvas, 159 x 124 cm Galleria Borghese, Rome
5759 St Matthew and the Angel f  St Matthew and the Angel f   1602 Oil on canvas, 232 x 183 cm Formerly Kaiser-Friedrich-Museum, Berlin
43844 St. Francis in Ecstasy  St. Francis in Ecstasy   c. 1595 Oil on canvas, 92,5 x 128,4 cm
5719 St. Francis in Ecstasy (detail) f  St. Francis in Ecstasy (detail) f   c. 1595 Oil on canvas Wadsworth Atheneum, Hartford, Connecticut
5718 St. Francis in Ecstasy f  St. Francis in Ecstasy f   c. 1595 Oil on canvas, 92,5 x 128,4 cm Wadsworth Atheneum, Hartford, Connecticut
5812 St. John the Baptist  St. John the Baptist   Oil on canvas, 102,5 x 83 cm Öffentliche Kunstsammlung, Basle
43834 St. John the Baptist  St. John the Baptist   c. 1604 Oil on canvas, 172,5 x 104,5 cm
43846 St. John the Baptist  St. John the Baptist   1600 Oil on canvas, 230 x 175 cm
5747 St. John the Baptist (Youth with Ram) fdy  St. John the Baptist (Youth with Ram) fdy   c. 1600 Oil on canvas, 132 x 97 cm Galleria Doria Pamphili, Rome
56854 St. Paul s conversion  St. Paul s conversion   mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.
327 St.Francis in Ecstasy  St.Francis in Ecstasy   1595 Wadsworth Atheneum, Hartford, Connecticut
316 Still Life with Flowers Fruit  Still Life with Flowers Fruit   1590s RomeGalleria Borghese, Rome
5818 Still-Life with Flowers and Fruit g  Still-Life with Flowers and Fruit g   1590s Oil on canvas, 105 x 184 cm Galleria Borghese, Rome
24681 Supper at Emmans (mk33)  Supper at Emmans (mk33)  
94795 Supper at Emmaus  Supper at Emmaus   1606 Type Oil on canvas Dimensions 141 cm x 175 cm (56 in x 69 in) cyf
5779 Supper at Emmaus (detail) d  Supper at Emmaus (detail) d   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5778 Supper at Emmaus (detail) dfg  Supper at Emmaus (detail) dfg   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5780 Supper at Emmaus (detail) f  Supper at Emmaus (detail) f   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5775 Supper at Emmaus (detail) fdg  Supper at Emmaus (detail) fdg   1601-02 Oil on canvas National Gallery, London
5774 Supper at Emmaus (detail) fg  Supper at Emmaus (detail) fg   1601-02 Oil on canvas National Gallery, London
5773 Supper at Emmaus gg  Supper at Emmaus gg   1601-02 Oil on canvas, 139 x 195 cm National Gallery, London
48648 Supper of Aaimasi  Supper of Aaimasi   mk191 1596-1603 oil on canvas 139x185cm
5741 Taking of Christ g  Taking of Christ g   c. 1598 Oil on canvas, 133,5 x 169,5 cm National Gallery of Ireland, Dublin
328 The Annunciation  The Annunciation   1609 Mus??e des Beaux-Arts, Nancy
5804 The Annunciation fdgf  The Annunciation fdgf   1608-09 Oil on canvas, 285 x 205 cm Mus??e des Beaux-Arts, Nancy
330 The Beheading of the Baptist  The Beheading of the Baptist   1608 St.John Museum, La Valetta
34698 The Beheanding of tst john the baptist  The Beheanding of tst john the baptist   mk96 1608 316x520cm
5749 The Calling of Saint Matthew (detail) dsf  The Calling of Saint Matthew (detail) dsf   1599-1600 Oil on canvas, width of detail: 86 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5751 The Calling of Saint Matthew (detail) fdgf  The Calling of Saint Matthew (detail) fdgf   1599-1600 Oil on canvas Contarelli Chapel, San Luigi dei Francesi, Rome
5752 The Calling of Saint Matthew (detail) fg  The Calling of Saint Matthew (detail) fg   1599-1600 Oil on canvas Contarelli Chapel, San Luigi dei Francesi, Rome
5753 The Calling of Saint Matthew (detail) gfd  The Calling of Saint Matthew (detail) gfd   1599-1600 Oil on canvas, width of detail: 30 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5750 The Calling of Saint Matthew (detail) urt  The Calling of Saint Matthew (detail) urt   1599-1600 Oil on canvas, width of detail: 92 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5748 The Calling of Saint Matthew fg  The Calling of Saint Matthew fg   1599-1600 Oil on canvas, 322 x 340 cm Contarelli Chapel, San Luigi dei Francesi, Rome
320 The Cardsharps  The Cardsharps   1595 Kimbell Art Museum, Fort Worth
5722 The Cardsharps f  The Cardsharps f   c. 1596 Oil on canvas, 90 x 112 cm Kimbell Art Museum, Forth Worth
325 The Concert The Musicians  The Concert The Musicians   1595 Metropolitan Museum of Art, New York
89384 The Conversion of Saint Paul  The Conversion of Saint Paul   1600(1600) Medium oil on canvas Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in). cjr
42689 The conversion of St. Paul  The conversion of St. Paul   MK169 ca.1601.Doek 230x175cm S. Maria divide Popolo Rome
5766 The Conversion of St. Paul dg  The Conversion of St. Paul dg   1600 Oil on cypress wood, 237 x 189 cm Odescalchi Balbi Collection, Rome
56041 the conversion on the way to damascus  the conversion on the way to damascus   mk247 1601 ,oil on canvas,90.5x69 in,230x175 cm,cerasi chapel,santa maria del popolo,rome,ltaly
5765 The Conversion on the Way to Damascus (detail)  The Conversion on the Way to Damascus (detail)   1600 Oil on canvas Cerasi Chapel, Santa Maria del Popolo, Rome
5764 The Conversion on the Way to Damascus fgg  The Conversion on the Way to Damascus fgg   1600 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome
43849 The Crowning with Thorns  The Crowning with Thorns   Oil on canvas, 178 x 125 cm
5817 The Crowning with Thorns f  The Crowning with Thorns f   Oil on canvas, 127 x 165,5 cm Kunsthistorisches Museum, Vienna
5761 The Crucifixion of Saint Peter fd  The Crucifixion of Saint Peter fd   1600 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5763 The Crucifixion of Saint Peter (detail) f  The Crucifixion of Saint Peter (detail) f   1600 Oil on canvas Cerasi Chapel, Santa Maria del Popolo, Rome
5762 The Crucifixion of Saint Peter (detail) fdg  The Crucifixion of Saint Peter (detail) fdg   1600 Oil on canvas, width of detail: 51 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5789 The Crucifixion of St Andrew dfg  The Crucifixion of St Andrew dfg   c. 1607 Oil on canvas, 202,5 x 152,7 cm Museum of Art, Cleveland
33573 The Crucifixion of St Peter  The Crucifixion of St Peter   mk86 1601 Oil on canvas 230x175cm Rome,Santa Maria del Popolo
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.



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